Sternberg’s film style and mise-en-scene combined with Marker’s achievements in experimental photo-montage form the long term, driving force behind my photo-300 projects and portfolio. I have crossed paths with two areas of interest during this fall semester, one dealing with the photography of Lee Garmes in the films of Josef von Sternberg’s series with Dietrich, and a fantastical “photo novel,” directed and photographed by Chris Marker, entitled La Jetee (1962). Photography must permeate my film experience at all times during my academia, because after all, film’s essential nature is the motion of the mind linked to the brushstroke of light. Film studies, as opposed to film production, is chosen as an alternative path to film, in order to solidify my firm foundation in the arts and sciences of the motion picture traditions, because I believe, before you can produce a film you need to learn how to write film, both critically and aesthetically. Accordingly, I have embarked on a long-term pursuit of a major in film, and at the present, supported by a minor in photography. My goal in pursuing photography is to sharpen inherent visual potentials and bring them to bear into the domain of film. Photo-300/3 A 2001-2002: Foundation in Photographic Vision - Theory & Practice IIĪssignment: Photo-300 Fall/Winter Term Project ProposalĪ) develop a framework of relevancy and reasoning for a coherent thematic concept for a black & white photography project for the academic year 2001-2002 ī) offer an alternative semester breakdown for this developing work in progress, as a fall 2001 term project and a winter 2002 culminal portfolio, and c) explain why such a project would link the artist, in a personal way, to its emotional and intellectual dimensions.
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