![]() were included and incorporated to a greater extent with more confidence. Some of the more left field musical moments in Mirrors were included with a little trepidation, however this time the clean vocals, black gaze, etc. There was more confidence and an element of self-assurance for sure, second time round with regards the new material. The critical and street reception and reach of Mirrors was totally unexpected and as result going into Blossom, Slicer were in a much different headspace. ![]() What kind of headspace did that put you in when it came time to go into the studio for what would become Blossom?įabian – The intervening time between the release of Mirrors and now, brought about changes that none of us in the band could have anticipated. What have these last two years been like given the kind of reception Mirrors earned. They spoke about the creative kinship with producer Lewis Johns, the merit of their work outside aside from their influences, the expectations that come with starting out so strong and how Blossom is the best version of Pupil Slicer yet. The band’s Luke Fabian and Kate Davies, reflected on the significance of the last two years since Mirrors and how that debut ultimately paved the way for the band to better refine their approach. Given the visceral quality of Mirrors, both in tone and execution, the band’s forthcoming follow-up in Blossom, serves as an example of channeled energy, creative focus and performative prowess refined over a two year stretch and now achieving full stride. ![]() In the two years since, Pupil Slicer have processed their powerful reception and better focused their strengths to craft the kind of follow-up record that reiterates their own signature while. ![]() Roping in stylistic accents that ran the gamut from destructive death metal, to airy shoegaze, to cinematic post-metal, the compositions from Pupil Slicer showcased a songwriting wherewithal that positioned the band far ahead of their contemporaries and suggested the best was still yet to come. ![]()
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